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Behold plays like an audio time capsule built of saxes, trombones and other horns (even tubas!), upright bass, brushes on drums, mellow sounding hollow body guitars, and vocals that are rich and distinctive but still somehow laid-back in their feel. Whereas Lauren Daigle's debut album was energy-laced, radie-ready pop, her Christmas project seems in some ways to be a confident re-imagining of her own versatile vocal gifts, showcased in a more mature and subdued, but also more eloquent, context.
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